The Criterion Collection
The Daily
Oct 31, 2018 — Lists of favorites from a genre on the rise.
The Daily
Jun 5, 2020 — A sampling of what’s been on our minds during this tumultuous and emotionally wrenching week.
The Daily
Dec 7, 2017 — “After mining the American soul (Boogie Nights, There Will Be Blood, The Master) as brilliantly as any working director has in the last fifty years,” begins Robert Abele at TheWrap, “Paul Thomas Anderson moves to 1950’s England for Phantom Thread,...
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Dec 19, 2017 — While he was in town with Call Me by Your Name at the New York Film Festival in October, Luca Guadagnino stopped by our office to talk about inspirations, style, and dancing.
The Daily
Dec 3, 2017 — On Friday, John Waters, as tradition demands, officially launched this year’s list-making season with his 2017 top ten for Artforum. He’s included work by filmmakers as varied as Bertrand Bonello, Woody Allen, and Christopher Radcliff and Lauren Wolkstein, and coming...
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Nov 16, 2006 — At the Museum of the Moving Image tonight, Peter Cowie is presenting his new book on Louise Brooks, Lulu Forever, and they are digitally screening our new Pandora's Box restoration with the Gillian Anderson score. I don’t think I’ve ever...
May 11, 2020 — One Scene Over the course of four features and several shorts, Brooklyn-based documentary filmmaker Matt Wolf has mined the histories hidden in archives, stitching together a rich and complicated view of twentieth-century America. He’s drawn to subjects that are misunderstood...
Nov 18, 2025 — A pre-Code aviation epic that makes pioneering use of the era’s innovations in cinematic color and sound, Howard Hughes’s directorial debut was Hollywood’s first modern portrait of World War I.