The Criterion Collection
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Aug 13, 2018 — This year’s edition will feature new work from Tsai Ming-liang, Jodie Mack, Albert Serra, and Laida Lertxundi.
The Daily
Jul 30, 2018 — Retrospectives of the French master’s work are playing in New York and Berkeley, with Washington to follow in September.
Jul 4, 2018 — In his big-screen breakthrough, Sam Shepard delivers tenderness, ferocity, and the quiet expressiveness of a silent film star.
The Daily
Apr 20, 2018 — “Although her oeuvre to date is wide-ranging,” writes Melissa Anderson at 4Columns, Claire Denis’s “most celebrated films are those that probe, usually elliptically, the legacy of French colonial rule in Africa, as seen in Chocolat (1988), her semiautobiographical debut feature;...
The Daily
Mar 2, 2018 — “This was a singular experience,” writes novelist Walter Mosley, who’s revisited Norman Jewison’s In the Heat of the Night (1967) and turns in a powerful piece in the Hollywood Reporter. On the one hand, the “belief in the North as...
Feb 26, 2018 — New York. He Who Gets Slapped (1924) screens this evening at Film Forum as part of the series Victor Sjöström: The Screen’s First Master. Lon Chaney “is brilliant as a man who has chosen madness over grief,” writes Jon Dieringer,...
Jan 19, 2018 — Two marvels of midcentury social commentary now streaming on the Criterion Channel show how progress can be a one-step-forward, two-steps-backward process.
The Daily
Jan 8, 2018 — “If you were dream-casting the role of Golden Globes host for the season of #MeToo and #TimesUp, with black-clad attendees from TV series and films that confronted misogyny (The Handmaid’s Tale) and racism (Get Out) and a barnburner of a...
The Daily
Jul 10, 2017 — “While many of my more memorable screenings involved companions and cohorts—seeing Barbarella on a second date with the woman I’d eventually marry; catching a revival of Andrei Rublev with a friend as an elderly Russian lady noisily ate stinky borscht...