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Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Mar 12, 2026 — A selection of fine writing on this year’s Academy Award nominees.

Mar 10, 2026 — Metrograph presents a retrospective of work by a filmmaker championed by Godard, Rivette, and Bazin.

Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.

Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.

Feb 20, 2026 — Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Feb 19, 2026 — In more than forty nonfiction features, he tried, as he said, “to create dramatic structures out of ordinary experience.”

Feb 18, 2026 — One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.

Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.

Feb 11, 2026 — Opening Friday: Noir City in Seattle, the Nitrate Film Festival in Los Angeles, and Cinéma Du Cashiers in New York.