The Criterion Collection
Jul 23, 2014 — Jacques Demy’s miraculous, melancholy musical is the rare film to use pastiche and artifice to go straight for the heart.
Interviews
Jun 5, 2014 — The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.
May 19, 2014 — As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.
Apr 27, 2014 — A leading light of commedia all’italiana, Dino Risi specialized in fleet, satirical takes on contemporary Italian culture, and this road-trip smash was his most trenchant.
Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.
Essays
Dec 2, 2013 — With its dazzling array of characters, acerbic take on American entertainment and politics, and innovative approach to sound, this is the ultimate Robert Altman movie.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Essays
Nov 22, 2011 — 12 Angry Men (1957), the first feature film directed by the legendary Sidney Lumet, is a Hollywood classic that, ironically, helped to define an era of filmmaking grounded in the gritty realism and frenetic energy of urban New York. A...