The Criterion Collection
Essays
Oct 30, 2014 — Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.
Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...
Aug 7, 2014 — Performances Today, the idea that comedian-actor-writer Lily Tomlin possesses dramatic versatility is so received that one might not realize how unexpected it was for audiences to see her in a serious role in Robert Altman’s Nashville in 1975. At that...
Essays
Apr 23, 2013 — Who is Pierre Etaix and where has he been all your life? This is the story of a filmmaker who was vanished, banished, skipped over. It’s as if one of those invisible cubicles mimes are always getting themselves shut in...
Essays
Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.
Short Takes
Oct 5, 2012 — Every ten years since 1952, the world-renowned film magazine Sight & Sound has polled a wide international selection of film critics and directors on what they consider to be the ten greatest works of cinema ever made, and then compiled...
Dec 6, 2011 — One of the delights of Alfred Hitchcock’s comic thriller is the wit with which it pins down a distinctly British insular mindset.
Essays
Jul 14, 2008 — Linguistic cosmopolitanism in the Babel-like world of commerce and culture is one of Jacques Tati’s several satirical targets.