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I’ll Be Watching You

Oct 30, 2015 The following interview was originally published in the 2005 edition of filmmaker and writer Chris Rodley’s book Lynch on Lynch. The interviews included in the book were conducted by Rodley between 1993 and 2005. For Criterion’s release of Mulholland Dr.,...

Oct 2, 2015 We were delighted when Greek director Yorgos Lanthimos and his wife, the actress Ariane Labed, dropped by for lunch in the Criterion kitchen on Monday.

Dukie

Features

Feb 23, 2012 Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Mar 24, 2011 Costumer Lindy Hemming began her decades-long collaboration with Mike Leigh at London’s Hampstead Theater Club, where the director, with his now legendary method of extended improvisation, was guiding his company toward what would become, in April 1977, Abigail’s Party. “At...

Dec 29, 2008 It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Oct 16, 2006 Screenwriter Carlos Cuarón delves into the character played by Claudia Ramírez

Jun 27, 2024 At their best, movies that showcase a sizable collective of virtuosic actors can give you the feeling of a rich ecosystem being brought to life.

Dec 22, 2025 The critic and curator talks about working on a program of films by trailblazing Black women directors, which opened at London’s BFI Southbank this year and is now playing on the Criterion Channel.

Feb 19, 2025 Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.

Mar 24, 2020 How do you talk about Leave Her to Heaven without talking about Gene Tierney’s face? You can’t. Because its planes and curves, its cunning expressions and its tantalizing opacity, are such a central piece of the movie itself. A series...

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