The Criterion Collection
Mar 16, 2015 — Director and star Robert Montgomery suffuses his moody 1947 New Mexico–set noir with palpable postwar anxiety and expressive fatalism.
Jan 26, 2015 — Scenes without endings, sounds without corresponding images, actions without seeming motivation—Lucrecia Martel’s sense-heightening debut offers a cinema of subtraction.
Apr 14, 2014 — Lars von Trier brought his brand of provocation to his widest audience yet with this inquiry into faith and human goodness.
Mar 18, 2014 — In addition to technical brilliance and a humanist message, Akira Kurosawa’s adventure features one of the director’s strongest female characters.
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Essays
Dec 16, 2013 — Here at last comes the time of ecstasy, of trances.Those who refuse to their senses the gift of trances shall wither.Brothers in trances, when will freedom come?They threw me out of my land and country.May my star shine. [. ....
Aug 5, 2013 — For those of us who rank The Earrings of Madame de . . . at the top of our list of all-time favorite films, the mystery is why our passion isn’t universally shared. Every year, thanks to committed revival houses,...
Jul 8, 2013 — With its marvelous, distinctive camera work, Kenji Mizoguchi’s searing drama is as technically remarkable as it is humane.
Jan 18, 2011 — In his Life Studies poem “To Speak of Woe That Is in Marriage,” Robert Lowell wrote of “free-lancing out along the razor’s edge,” a lean, glamorous, tense phrasing that invokes the Samuel Fuller of the early sixties—a director suddenly without...
Nov 18, 2010 — In Charles Laughton’s The Night of the Hunter, terror and tenderness grapple with each other as profoundly as the words HATE and LOVE when they’re tattooed, one per hand, across the knuckles of the sadistic preacher Harry Powell (Robert Mitchum)....