The Criterion Collection
Essays
Oct 25, 2012 — The following piece by Sunday Bloody Sunday screenwriter Penelope Gilliatt originally appeared as the introduction to the 1971 U.S. publication of the script. A friend of mine who had started scrubbing at fourteen and went on to be a barmaid...
Jun 19, 2012 — Steven Soderbergh delivers a poignant psychological portrait of the late Spalding Gray in this deftly structured documentary.
May 23, 2012 — Iranian master director Abbas Kiarostami voyaged to Italy to make a film that questions love, relationships, and Western art cinema.
Sep 29, 2003 — Rainer Werner Fassbinder dedicated his final energies to bringing the lost, gray years of postwar Germany back to life.
Veteran music journalist Michael Azzerrad is the author of Come As You Are: The Story of Nirvana (Doubleday, 1993) and the upcoming Just Gimme Indie Rock: Scenes from the American Indie Underground 1981-1991 (Little, Brown). He once caught a sunfish...
May 13, 2009 — Alexander Korda’s oeuvre is often characterized as larger-than-life, undoubtedly in part because the figures he was attracted to—kings and queens, legendary lovers and great artists—were often extraordinary.
The Daily
Sep 1, 2023 — Stan Lee meets Alain Resnais, plus interviews with Molly Haskell, Babette Mangolte, and Manohla Dargis—and James Quandt on Jean Eustach
Jul 13, 2022 — Stylistically informed by film noir, Martin Scorsese’s searing drama plumbs male violence and rage through a boxing champ’s self-destruction.
Features
Jun 30, 2014 — The filmmaker’s recollections of the great producer.
Feb 22, 2009 — “Let me have men about me that are fat.” —Julius Caesar, act 1, scene 2 Just as Raymond Chandler’s Philip Marlowe admired small, brave men who stick to their principles, I like—in the movies at least—heavyset, flamboyant types who walk...