The Criterion Collection
Features
Aug 7, 2023 — In a tribute to Elvis Presley that aired on Turner Classic Movies, Kurt Russell says that “an Elvis movie is always worth watching because of Elvis.” This insight gets at a core truth about a much maligned and mostly dismissed...
The Daily
May 28, 2020 — One of Fassbinder’s most beloved and abused performers, Hermann broke away and relaunched a lauded career.
Oct 15, 2050 — Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...
Oct 30, 2008 — This week, the New York Times compiled its special annual holiday movie preview, and judging by Charles Taylor and Stephanie Zacharek’s enthusiasm for a slew of upcoming DVD releases for November and December, it seems critics are looking forward to...
Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...
Mar 10, 2003 — The Swedish director of I Am Curious explains how he fused the themes of eroticism, self-exploration, voyeurism, and nonviolence into a film about the new freedoms of the young. QUESTION: I Am Curious seemed to be a cinematic Tristram Shandy,...
Essays
Sep 8, 1998 — In David Lean’s Summertime, in which Rossano Brazzi seduces Katharine Hepburn—an aging, repressed Ohio “working girl” on vacation in Venice—the Continental lover reached his pinnacle and approached his end. In the next decade, he would be embodied by Marcello Mastroianni,...
Mar 26, 2019 — It’s the afternoon of February 8, 1964, and Ed Sullivan has assembled a gaggle of CBS ushers to talk about tomorrow night’s show, featuring the four lads from Liverpool who call themselves the Beetles—strike that, the Beatles. He needs to...
Dec 15, 2015 — Burroughs: The Movie, the culmination of late director Howard Brookner’s NYU thesis project, follows William S. Burroughs over the course of five years and provides “an authorial profile such as has never been and may never be matched.”
The Daily
Jun 26, 2026 — We’re tracking the unconventional flows of Zidane, Eephus, and Castration Movie; plus Pedro Costa on Mizoguchi and Tourneur.