Glocken aus der Tiefe (Bells from the Deep)

Aug 30, 2017 — “Can there be any clearer signal of reality warping as we hurtle toward imminent apocalypse than the fact that Alexander Payne has made a life-affirming film?” asks Jessica Kiang at the Playlist. “Venice opener Downsizing takes the long road getting...

Aug 10, 2017 — Ian Buruma, who’ll become the new editor of the New York Review of Books next month, has a piece in the new issue on The Memory of Justice, “the four-and-a-half-hour documentary that has rarely been seen since 1976 but is...

Jul 23, 2017 — “Exploding across the stressed out summer of 2017 like a powder keg thrown into a room that’s already on fire, Kathryn Bigelow’s hectic but harrowing docudrama account of the 1967 Detroit riots is inevitably as concerned with the persistence of...

Jun 22, 2017 — The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916–2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away from Hollywood,...

Sep 20, 2016 — Cloaked in chiaroscuro and innuendo, this stylistically innovative creature feature leaves its greatest horrors to the imagination.

Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.

Apr 14, 2015 — Preston Sturges revealed a lot about himself and the movie business in this hilarious and socially committed comedy.

Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.

Jul 11, 2012 — Performances Of all the stultified suburban folks in The Ice Storm, Ang Lee’s diamond-sharp adaptation of Rick Moody’s novel about two Connecticut families in the early seventies, Sigourney Weaver’s Janey Carver might appear the least in need of attention. Most...

Nov 8, 2011 — With the very first shots of Fanny and Alexander (1982), director Ingmar Bergman announces his perspective and signals his intentions. Here, we find the ten-year-old Alexander gazing into a puppet theater, lifting layer after layer of skillfully painted backdrop. We...