Geu-hu

Mar 5, 2018 — Along with 132 short films and a slew of masterclasses, installations, discussions, and other events, the Berlin International Film Festival presented 253 features this year. I managed to catch twenty-seven of them, and Adina Pintilie’s Touch Me Not, winner of...

Feb 28, 2018 — A few days ago, we ran an essay here by Pico Iyer on Satyajit Ray’s The Hero (1966), followed by Meheli Sen’s comments on Uttam Kumar’s performance within the context of his stardom. Iyer has more to say and, writing...

Feb 24, 2018 — The International Jury of the sixty-eighth Berlin International Film Festival—Tom Tykwer (president), Cécile de France, Chema Prado, Adele Romanski, Ryuichi Sakamoto, and Stephanie Zacharek—has awarded the Golden Bear for Best Film in the Competition to Adina Pintilie’s Touch Me Not.Małgorzata...

Feb 2, 2018 — New York. First, we look past the new few days with a few lineup announcements. EW’s Clark Collis reports on Pacino’s Way, a retrospective of over twenty-five films, “the majority screening on 35 mm prints,” that will run at the...

Jan 29, 2018 — New York. The Metrograph’s “essential series Tell Me: Women Filmmakers, Women’s Stories gets its title from a 1980 documentary by Chantal Akerman called Dis-Moi, which is one of the earliest filmed works of oral history about the Holocaust,” writes Richard...

Jan 18, 2018 — The lineups for the sixty-eighth Berlin International Film Festival, running from February 15 through 25, are coming hard and fast now. Today sees rollouts for the Forum, the main attraction for many a cinephile, and the Berlinale Series. With descriptions...

Jul 19, 2016 — A cornerstone of the martial arts film genre, King Hu’s magisterial A Touch of Zen was the first Chinese movie to receive a prize at the Cannes Film Festival. Thanks to a pristine new restoration, this sprawling portrait of Ming...

Dec 13, 2011 — Seijun Suzuki’s delirious, absurdist deconstruction of the crime genre is the strangest film the director made at Nikkatsu, Japan’s oldest film company.

Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.

Jul 22, 2026 — In his fiction features Beginners, 20th Century Women, and C’mon C’mon, the acclaimed director casts a sensitive gaze on the rich psychodynamics of human relationships and the hidden interconnections of our unconscious motivations.