The Criterion Collection
Essays
Sep 18, 2006 — Nobuo Nakagawa’s legendary, genre-busting Japanese masterpiece explores the infernal desires that tempt us during our mortal existence—and the afterlife agonies awaiting those who succumb.
Aug 18, 2008 — One of the most awarded films in Japanese history, Keisuke Kinoshita’s nostalgia piece unfolds a celebration of family values and scenic beauty.
Mar 9, 1992 — The ads for Boyz N the Hood, the debut of a 23-year old writer-director named John Singleton, treated the film as if it took place in another galaxy—a mysterious fiefdom far, far away. And so it does, set in a...
On the Channel
Jan 20, 2026 — This month, leap into a century of cinema’s greatest stunts, feel the ache of thwarted romance and bittersweet yearning, or get into trouble with the Depression-era hustlers of Mervyn LeRoy’s pre-Code films.
Features
May 3, 2018 — Depth, beauty, curiosity—what gave luminous French star Danielle Darrieux staying power across eight decades? Critic Farran Smith Nehme looks for the answer in two films from opposite ends of her career.
May 10, 2016 — Nicholas Ray’s In a Lonely Place imbues the conventions of film noir with a subtle, tense vulnerability that lends a naturalistic weight to the film’s powerful emotional impact.
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.
Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.