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Ever Since We Love

Mar 31, 2021 It has seemed to me for a long time that there is far too little screaming about Albert Brooks. It has seemed that way to all of his staunchest fans, who secretly relish being among the evolved few who know...

January Books

The Daily

Jan 20, 2021 Knausgaard on Bergman and Adam Nayman on Armond White on Steven Spielberg are among this month’s highlights.

Dec 29, 2020 Channel Calendars The stars are aligned for the first month of the New Year on the Criterion Channel. We’re pleased to be kicking off 2021 with a tribute to Jane Fonda, whose greatest hits reflect her multifaceted career as a political activist...

Dec 15, 2020 One day in the late 1990s, when I was a young staff member at an art and media magazine, my boss asked me to interview an esteemed creative director of an ad agency. A few months earlier, that same magazine...

Nov 30, 2020 Channel Calendars As the year draws to an end, we’re turning our gaze toward things to come, with an international, intergalactic program of Afrofuturist visions of Black creativity, resistance, and freedom. That’s just the beginning of our holiday bounty: we’ve...

Oct 20, 2020 Despite the preponderance of tales of coming of age and sexual awakening in American independent cinema, it’s still rare to encounter a movie that deals with experiences of intimacy between young LGBT characters in a way that feels honest, candid,...

Sep 18, 2020 The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.

August Books

The Daily

Aug 17, 2020 Louise Brooks, Oliver Stone, James Stewart, Andy Warhol, and more are here to help relieve this year’s summer doldrums.

Aug 17, 2020 Deep Dives Baseball’s back in America—as of this writing, anyway—though for much of spring and early summer the Major League season hung in the balance as negotiations between the owners and the players’ union approached a peak of acrimony. Being...

Aug 13, 2020 First Person In 1960 The Apartment was playing at Cinema Rialto and was advertised with a loud red poster. I was too young to see it at the time, but I do recall overhearing my parents describing it to their...

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