The Criterion Collection
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Feb 28, 2018 — New York. Neighboring Scenes: New Latin American Cinema opens tonight at the Film Society of Lincoln Center and runs through Sunday. Writing for the Notebook, Ela Bittencourt points out that “a number of films stand out for either their carefully...
Dec 21, 2017 — No one has captured the complexities of forbidden love with more intimacy than Celia Johnson in David Lean’s classic romance.
Dec 17, 2017 — “He’s joking all the time if he feels he has an audience,” Barbet Schroeder said of Idi Amin in a 1976 New York Post interview.I think we know the type.Ugandan dictator Amin, the subject of Schroeder’s 1974 documentary General Idi Amin Dada: A...
Dec 4, 2017 — Last Wednesday, the Sundance Film Festival unleashed the entire features lineup for its 2018 edition, running from January 18 through 28. Today, the festival’s adding lineups for a new Indie Episodic section as well as its Shorts and Special Events...
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Aug 9, 2017 — “A prodigal son’s Palestinian homecoming is marked by family obligations, comforting white lies and concerted efforts at matchmaking in Wajib, a wryly-observed family drama from writer/director Annemarie Jacir,” begins Screen’s Alan Hunter. “Loosely inspired by events in her own family,...
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Jul 12, 2017 — La telenovela errante, a film Raúl Ruiz shot in 1990 (image above) and now fully realized by his widow and editor, Valeria Sarmiento, is one of the highlights of the lineup for this year’s Locarno Film Festival. The seventieth edition...
Jan 11, 2017 — A revelatory restoration of Lewis Milestone’s underappreciated newsroom comedy accentuates the film’s punchy rhythms and breakneck banter.
Sep 28, 2016 — The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.
Aug 12, 2015 — Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.
Apr 24, 2015 — Atypical in style and subject, Yasujiro Ozu’s early crime dramas show a future master brilliantly experimenting with camera and editing.