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Chance at Love

Mar 16, 2007 The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Apr 28, 2026 As the 1950s began, Kinuyo Tanaka found herself at a turning point. She had been acting in films since she was fourteen, becoming one of Japan’s most beloved, admired, and prolific women stars. Now in her early forties, she saw...

Aug 12, 2025 This remarkably sensitive yet jarringly violent romance epitomizes director Youssef Chahine’s late-fifties hybrid style, which combined elements of Hollywood entertainment with an unmistakably Egyptian spirit.

Mar 14, 2023 After an evening of comebacks and righted wrongs, now’s a good time for a quick glance back to previous campaigns and ceremonies.

Jul 5, 2020 Among today’s most revered jazz musicians, pianist and composer Jason Moran stands out for how seamlessly he blends tradition and innovation. Throughout his now two-decade career, he has honored the complex history of one of America’s most storied art forms...

Jan 7, 2020 Understudies everywhere should take heart at the tale of Katharine Hepburn’s long history with the role of Linda Seton, the high-spirited but reclusive heiress she plays in George Cukor’s 1938 Holiday. When the Philip Barry play the film is based...

Sep 20, 2019 In the winter of 1981, when I was young, I fell madly in love with a handsome poet. About two weeks into our affaire de cœur, we went to the Thalia on the Upper West Side of Manhattan to see...

Jan 29, 2019 The renowned composer made movie history with his collaborations with Jacques Demy, Agnès Varda, Jean-Luc Godard, Joseph Losey, and Barbra Streisand.

Apr 1, 2018 Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...

Mar 30, 2018 This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.

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