Cela s’appelle l’aurore

Oct 24, 2025 — We’re revisiting work by Ken Russell, Chantal Akerman, Billy Wilder, and Abel Ferrara.

Oct 10, 2025 — This week: Essays on Daniel Day-Lewis, Sophie Fillières, and Miguel Gomes, a talk with Wes Anderson, and an AI experiment.

Sep 3, 2025 — Amanda Seyfried (The Testament of Ann Lee), Jesse Plemons and Emma Stone (Bugonia), and Dwyane Johnson (The Smashing Machine) dazzle in Venice.

Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Jun 2, 2025 — More than a hundred films likely to make you feel bad in all the best ways will screen in eight cities this month.

May 27, 2025 — The triumphant return of Jafar Panahi capped off what many consider to be a terrific year at Cannes.

May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.

May 13, 2025 — Here’s a sampling of what we can look forward to in each of the festival’s programs.

May 13, 2025 — In this masterpiece of lived-in ethical complexity and high spiritual stakes, Abbas Kiarostami explores the tensions between provinciality and modernity, and between artists and their subjects.