The Criterion Collection
Features
Sep 19, 2016 — If you consider noir as a global phenomenon, then films like Julien Duvivier’s Pépé le moko (1937), Jean Renoir’s La bête humaine (1938), and Carné’s Port of Shadows (1938) may be the first full harvest of this bitter crop.
Leonard Quart is Professor Emeritus of Cinema Studies at the College of Staten Island and the CUNY Graduate Center, as well as a contributing editor of Cineaste. His books include American Film and Society Since 1945 (coauthored with Albert Auster)...
Short Takes
Nov 18, 2016 — Artists across all mediums have long been obsessed with the challenge of evoking dream states, but film—with its oneiric combinations of light and shadow, and its ability to manipulate time and space—has particularly uncanny access to our nighttime reveries. Whether...
Sneak Peeks
Nov 27, 2015 — From on-the-run crime dramas to swooning tales of love and loss, the films of French director Julien Duvivier marry beautiful camera work and an expressive, often poetic use of music and sounds. The dream sequence that opens the story in...
On the Channel
Jul 17, 2026 — Channel Calendars This month on the Criterion Channel, crank up the volume on our playlist of (actually good) rock biopics that go beyond cliché to explore the elusive place where inspiration sparks and musical legends are born. Our Southern Gothic...
Jul 2, 2026 — I first met Courtney Love in 1994. I was twelve years old, and I felt ugly and confused pretty much all the time. I was slouching through the locker bay at Calle Mayor Middle School in Torrance, California, when I...
The Daily
Jan 15, 2026 — SXSW and Slamdance unveil full lineups, and the Berlinale fills out its Forum, Panorama, Generation, and Classics programs.
Dec 16, 2025 — Paul Reubens’s iconic character comes to cinematic life in this collaboration with director Tim Burton, who creates an on-screen world that evokes the unbridled joy and overwhelming terror of childhood.
Sep 17, 2025 — One of the most influential comedies of the 1980s, Rob Reiner’s rock-and-roll satire is a remarkably authentic, lived-in portrait of musicians, their egotism, and the industry that feeds off their stardom.
The Daily
Jul 15, 2025 — Much of the program upends assumptions about the postwar years as a period of relative calm and conformity.