The Criterion Collection
Nov 21, 2008 — Independent filmmaker and underground music aficionado David Markey’s films include 1991: The Year Punk Broke (1992) and the Los Angeles punk Super 8 cult classics The Slog Movie (1982), Desperate Teenage Lovedolls (1984), and its sequel Lovedolls Superstar (1986), all...
"Life caught unawares," that's how Soviet filmmaker Dziga Vertov defined the principle and art of documentary in the thirties. Yet the documentary has taken so many forms over the past century that it is too simple to call it the...
Oct 30, 2008 — This week, the New York Times compiled its special annual holiday movie preview, and judging by Charles Taylor and Stephanie Zacharek’s enthusiasm for a slew of upcoming DVD releases for November and December, it seems critics are looking forward to...
Jan 21, 2008 — The feminist politics of Agnès Varda’s marital drama were ahead of their time, but it is on the level of form that the film is so unsettling and calls up contradictory interpretations.
Nov 12, 2007 — I’ve always been fascinated by the details of getting places. Bill Becker would often say that the best part of a trip for me was getting there and back—what happened while I was there was less important. Figuring out how...
Nov 9, 2006 — For years now, Peter has been the public face of Criterion. It’s great to have my partner fielding the brunt of the questions, sitting on the panels, and speaking poetically for all of us. We’ve been partners now for about...
Sep 13, 2004 — Fifteen years ago I received a letter from a young film director in Texas, who enclosed a tape of his first film, with the unlikely title It’s Impossible to Learn to Plow by Reading Books. It might as well have...
Jun 23, 2003 — The following text is from Michael Töteberg’s presentation of a collection of Fassbinder screenplays (The Merchant of Four Seasons, Ali: Fear Eats the Soul, Fontane Effi Briest), which were published in Germany as Fassbinders Filme, Band 3 (Fassbinder’s Films, Vol....
Nov 11, 2002 — Continued from Anatomy of a Love Festival - Part One The real turn-on, though, was the music—twenty-two hours of it, divided into solid chunks that usually ran more than thirty minutes. Friday night was the epitome of what San Francisco...
Jun 3, 2002 — In addition to being his funniest film, The Horse’s Mouth is the most personal, and touching, of all Alec Guinness’ movies. Apart from starring as the brilliant but bedraggled artist Gulley Jimson, Guinness also adapted the Oscar-nominated screenplay from Joyce...