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Nov 18, 2018 This sensuous, sprawling epic, which Ingmar Bergman intended to be his swan song, offers an effortless summing up of the themes—among them family, identity, and mortality—he'd spent a career exploring.

Oct 12, 2018 Two early works by Ingmar Bergman show the Swedish master grappling with the conventions of melodrama, which would go on to influence his later explorations of spiritual torment.

Jul 19, 2018 Deep Dives A tough, dirty gangster picture that delivers the requisite payload of violence and bastardly behavior, Giuliano Montaldo’s Gli intoccabili (released in the U.S. as Machine Gun McCain) is also a landmark in the story of John Cassavetes and his ragtag repertory...

Jul 10, 2018 The martial-arts film was never the same after King Hu got his hands on it, reinventing the genre with subtle editing and dazzling choreography.

May 24, 2018 A series in New York celebrates an illustrious, multifaceted talent.

Apr 12, 2018 Perhaps the most exciting “in the works” item of the past few days isn’t even about a film. Elaine May, seen above with her comedy partner Mike Nichols in the 1950s, “will star in the first Broadway production of Kenneth...

Mar 15, 2018 New York. Film Forum’s series, entitled simply Michel Piccoli, opens tomorrow and runs through March 22. “It’s surprisingly hard to think of an American equivalent for Piccoli,” writes Mike D’Angelo in the Village Voice. “He never exudes the wised-up, electrifying...

Jan 17, 2018 The Berlin International Film Festival has now completed the lineups for two of its programs, Forum Expanded and Generation. Back in December, the Berlinale announced a first round of Generation titles selected for younger viewers, so what we have today...

Nov 22, 2017 We begin with the latest entry in Reverse Shot’s symposium on time, Chris Wisniewski’s, on Rainer Werner Fassbinder’s The Merchant of Four Seasons (1971). The focus here is on “a sequence that seems at first ordinary and unravels under scrutiny,...

Sep 28, 2017 Let’s start today with a few interviews. I’ve opened the NYFF 2017 Index with a snippet from poet Peter Gizzi’s conversation with New York Film Festival director Kent Jones for BOMB, but I want to flag it again because they...

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