Butterfly

Feb 19, 2018 — Jonathan Demme put an uncompromisingly feminist spin on the law-enforcement procedural with this wildly successful, Oscar-winning drama.

Jan 10, 2018 — The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.

Aug 22, 2017 — The Toronto International Film Festival has announced the titles lined up for its Discovery and In Conversation With . . . programs. And the schedule for its forty-second edition, running from September 7 through 17, is up now, too.Earlier rounds:The...

May 24, 2017 — The Cannes Film Festival always kicks up a flurry of announcements of projects in the works. Now that we’ve just passed the halfway mark, let’s have a look at some of the more interesting titles we’ve heard about so far.“Robert...

Nov 17, 2015 — Max von Sydow has spent the past six decades cultivating one of cinema’s most illustrious careers, and now, at eighty-seven, the Swedish actor “may be on the verge of becoming a pop-culture icon,” writes Terrence Rafferty in the Atlantic.

Nov 11, 2015 — There’s an infectious energy and excitement that radiates from the French actor and filmmaker Mathieu Amalric. This is palpable in his performances on-screen or on the stage, and it was in full force when he visited Criterion recently.

Sep 14, 2015 — In his latest column, Peter Cowie reflects on his friendship with our beloved cofounder.

Jul 22, 2015 — Stephen Frears brings a playful and shimmering cinematic quality to Hanif Kureishi’s multilayered script about a Pakistani immigrant community in Margaret Thatcher–era London.

Oct 2, 2014 — The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Sep 23, 2014 — In director Jack Clayton’s hands, Henry James’s tale of the sinister and sensual things hiding behind Victorian decorum becomes one of the screen’s great works of terror.