Beauty

Mar 16, 2017 — Bill Condon is a celebrated film director and Oscar-winning screenwriter. His most recent projects include Disney’s Beauty and the Beast, the drama Mr. Holmes, and a revival of the musical Side Show, which premiered at Washington, D.C.’s Kennedy Center before...

Oct 17, 2016 — Terence Nance was born and raised in Dallas, Texas. His first feature film, An Oversimplification of Her Beauty, premiered in the New Frontier section of the 2012 Sundance Film Festival. The film garnered him recognition from Filmmaker magazine, which selected...

Feb 12, 2018 — Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.

Apr 13, 2017 — Reflecting on Jean Marais’s performance as the hero in Orpheus, Jean Cocteau once said that the actor “illuminates the film for me with his soul.” At the heart of the visionary auteur’s extravagantly designed fantasy worlds, Marais served as an...

Mar 24, 2014 — Rome is as exquisite as it is suffocating in Paolo Sorrentino’s profound tale of contemporary entropy.

Feb 27, 2014 — Paolo Sorrentino was in the Criterion office recently to do publicity for his Oscar-nominated film The Great Beauty, and while he was here we thought we’d ask this cinephile a few questions about movies. In this short, casual interview, he...

Jul 18, 2011 — Out of the extravagant variety of Jean Cocteau’s work—the paintings and drawings, the poems, the plays and novels and memoirs, the opera librettos and ballet scenarios—it is likely his films that will have the most enduring influence, and among those,...

Jun 3, 1991 — Jean Marais on the set of Beauty and the Beast An excerpt from Cocteau: A Biography (1970) by Francis Steegmuller Beauty and the Beast, the first film of Cocteau’s own since The Blood of a Poet, and his finest poem since...

Oct 9, 2026 — Hal Ashby nods to Stanley Kubrick, Yasmina Price presents a dossier on Kevin Jerome Everson, and Axelle Ropert plays a game.

Sep 29, 2026 — In this tale of four privileged bachelors who embark on a trip to the Indian countryside, Satyajit Ray balances a biting critique of masculine fragility with splendid visual grace.