The Criterion Collection
Essays
May 12, 2026 — Sexuality—how one defines it, lives with it, hides it, shuns it, or wields it—is inextricable from matters of socioeconomic class, though rare is the American film that centralizes this intersectional reality. The foundational myth of the American dream puts forth...
The Daily
May 5, 2026 — The nation’s largest silent film festival returns to the newly renovated Castro Theatre.
The Daily
Apr 27, 2026 — The festival centered on experimental documentary and avant-garde film will roll out across five New York venues.
Apr 27, 2026 — During the evening rush on a busy Los Angeles boulevard, a man steps into a news-vendor’s stall and scans the out-of-town papers section, where journals offer balm for homesick travelers and transplants. But his hometown, Evanston, Illinois, is missing—no call...
Mar 16, 2026 — Paul Thomas Anderson’s One Battle After Another wins six, and Ryan Coogler’s Sinners wins four.
Feb 25, 2026 — The director of Civic and Now, Hear Me Good talks about how his experience as a first-generation Caribbean American and his love of Chantal Akerman’s short La chambre have influenced his work.
The Daily
Feb 13, 2026 — This week brings a tribute to Diane Keaton, notes on Taxi Driver at fifty, and three flights of the spirit.
The Daily
Feb 3, 2026 — This year’s winners tell stories of trauma and triumph.
Jan 27, 2026 — Unencumbered by the white gaze, Reginald Hudlin’s groundbreaking feature-film debut is a celebration of a Black community in all its diversity, featuring fully realized characters who exist not as spectacle but as reality.