The Criterion Collection
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
The Daily
Feb 18, 2021 — We’re reading about Visconti, Fellini, Tom Stoppard, Eartha Kitt, and Anton Walbrook.
Essays
Jan 26, 2021 — Larisa Shepitko was born in eastern Ukraine in 1938. Her mother was a schoolteacher; her father, who left the family, fought in World War II. Her mother raised her and her two siblings on her own, and the moment Larisa...
Nov 2, 2020 — Two decades before his inspired turn in Parasite (2019) as a chiseling patriarch—The Man With No Plan—Song Kang-ho became a symbol of new wave South Korean cinema by starring in a pair of iconic films as the movement was beginning...
Interviews
Jul 28, 2020 — The films of Japanese director Hirokazu Kore-eda are graceful meditations on memory and the inextricable connections that bind our lives together. Whether transporting us to a way station in the afterlife or into a household in crisis, his character studies...
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
The Daily
May 1, 2019 — With three, possibly four new films opening this year, Ferrara returns to New York to attend MoMA’s retrospective.
Essays
Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...
Nov 29, 2018 — 112 films, including new work from Joanna Hogg, Stanley Nelson, Kim Longinotto, and Ritesh Batra.
The Daily
Aug 27, 2018 — Theater and movie audiences laughed at his one-liners throughout the 1960s and ’70s.