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A Goofy Movie

Nov 3, 2009 If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.

Feb 18, 2022 This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.

Feb 12, 2018 In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 25, 2018 “Few filmmakers earn the adjective ‘offbeat’ as definitively as the Zellner brothers, David and Nathan, whose new Western (premiering at Sundance), Damsel, is a goof on the genre in which no trope is left unmolested and nothing goes the way...

Aug 9, 2010 Now that Terry Zwigoff’s Crumb is fifteen years old, it seems pretty safe to say that it has evolved from a potential classic to actually being one. But what kind? A documentary portrait of a comic-book artist, musician, and nerdy...

Jun 17, 2025 Mitchell Leisen’s marvelously chic and brilliantly constructed screwball classic revolves around a heroine who flounders through a succession of complications but always manages to come out ahead.

Dec 10, 2024 In this brilliant adaptation, Joel and Ethan Coen find a kindred spirit in novelist Cormac McCarthy, whose abiding themes—including destiny, the American West, and the contest between our better natures and our survival instinct—mirror their own.

Oct 29, 2024 From Kaneto Shindo to Kiyoshi Kurosawa, the masters of the genre over the past half-century have tapped into a deep well of cultural anxiety, exploring everything from the sins of their nation’s feudal past to the dangers of new technologies.

Oct 6, 2009 Our Jeanne Dielman–Criterion Collection Cooking Video Contest on YouTube has been a huge success, thanks to scores of filmmakers who served up more than fifty delectable entries! We’ve been amazed at the quality of the submissions, and now we need...

Oct 2, 2025 In Wes Anderson’s romantic ode to journalism, the director grapples with the danger and horror inherent in any field of endeavor worth pursuing.

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