The Criterion Collection
Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.
The Daily
Jan 26, 2018 — Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K....
Feb 8, 2011 — Federico Fellini was born and brought up in Rimini, Italy, a small seaside town in the province of Emilia-Romagna. Amarcord is a neologism he contrived, which comes closest to the Emiliano-Romagnolo dialect phrase mi ricordo (I remember). Fellini, a great...
Essays
Feb 12, 2019 — In a stark, forbidding prison, a nun ascends a staircase, framed by vertical bars, and walks down a corridor, unlocking cell doors. Women start coming out; two of them quarrel. Smoking on her bunk, one inmate sighs when told she...
The Daily
Jul 8, 2024 — The other big winner in Karlovy Vary is Lilja Ingolfsdottir, whose Loveable takes home five awards.
The Daily
Jul 8, 2018 — “I Do Not Care If We Go Down in History as Barbarians” takes the top prize.
The Daily
Apr 12, 2019 — Known for his work with John Cassavetes, the actor was rediscovered a generation later in films by Wes Anderson.
The Daily
Jan 21, 2020 — The Mankiewicz brothers, Jonas Mekas, Werner Herzog, Sidney Lumet, and Ja’Tovia Gary all figure in this month’s roundup.
The Daily
Nov 17, 2017 — G rasshopper Film has posted Ted Fendt’s essay on Moses and Aaron (1974), Jean-Marie Straub and Danièle Huillet’s adaptation of Arnold Schoenberg’s unfinished opera: “Straub and Huillet’s brilliance—and a fundamental aspect of their method of adaptation—is to allow the contradictions...
The Daily
Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).