The Criterion Collection
May 27, 2025 — In the singular mid-1980s TV show Eternity’s Pillar, the jazz iconoclast gives viewers a chance to experience the healing powers of her music—and the intense spiritual practice that fuels it.
The Daily
Jun 22, 2023 — Film at Lincoln Center presents a twelve-film retrospective and a three-week run of The Mother and the Whore (1973).
Nov 17, 2021 — Decades after Peter Lorre’s knife-toting creep Hans Beckert prowled the Berlin streets in search of little girls in Fritz Lang’s M (1931); after Robert Mitchum’s silver-tongued Harry Powell cut down all the “smooth and curly-haired things” he could get his...
The Daily
Oct 26, 2021 — In the run-up to Friday’s opening, Wright has put together a delectable issue of the Observer New Review.
The Daily
Jan 12, 2021 — Nomadland has triumphed on the first big night of awards season.
Features
Mar 6, 2020 — Above photo: © Chuck Stewart Photography, LLCIn America, black musical genius has never been in short supply, though it hasn’t always been recognized or fairly compensated. Even a casual glance at the résumé of formally trained composer, producer, and arranger...
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
Interviews
Nov 18, 2015 — On the night of the New York premiere of Gaspar Noé’s controversial new film Love, his 3D cinematic sex odyssey, the French-Argentine provocateur stopped by Criterion with the film’s star, Aomi Muyock.
Nov 4, 2015 — In the midst of a tumultuous period in his life and career, Ingmar Bergman made one of his most ebullient comedies.