The Criterion Collection
The Oscar-winning costume designer of Phantom Thread—whose latest work can be seen in Bradley Cooper’s Maestro—reminisces about his enduring collaboration with Paul Thomas Anderson, shares his love for the artistry of Italian designers Piero Tosi and Milena Canonero, and talks...
The acclaimed photographer and artist talks about bonding with his dad over films in the collection, praises the subtle power of Ozu’s framing, shares his connection to Garrett Bradley’s depiction of Black American life, and touches on his love for...
The actor and director praises Midnight Cowboy as “a miracle of a movie,” calls James Stewart his favorite actor, and talks about discovering John Cassavetes’s films in his teenage years.
The prolific German actor recalls the time he met Paul Morrissey on a plane, the festival encounter that led to his first film shot in the United States, and his experience working with Lars von Trier.
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.
During a trip to what he calls our “city of movies,” the director of Afire talked about the jazzy qualities of Steven Soderbergh’s films, the inspiration he has taken from Preston Sturges, and an overpoweringly erotic moment in Stromboli.
The actor, known for his performances in Looking, We the Animals, and The Inspection, talks about two classics that inspired him to make movies and his love of Orson Welles’s gift for self-reinvention.
The singer-songwriter and founding member of the Bangles recommends a must-see film for all rock musicians, highlights a favorite scene in Klute, and recounts her childhood memories of hanging out at Ben Gazzara’s house.
The acclaimed band talks about Japanese films about family, the rock music in Beyond the Valley of the Dolls, and a festival viewing experience of Carnival of Souls.
The award-winning actor highlights performances he admires, including John Hurt in The Elephant Man, Peter Sellers in Being There, and Catherine Keener in Being John Malkovich.