In the late sixties and early seventies, young, innovative, and politically radical directors took up arms against the propriety of West German society and its failing film industry.

Mar 11, 2008 There’s no real rhyme or reason to explain which Criterion films I end up watching. For example, I saw Breathless over the holiday break after Abbey convinced me to give Godard a chance. Then I watched The Seventh Seal in...

Rebecca

Essays

Jul 1, 1990 Molded by Alfred Hitchcock’s direction and David O. Selznick’s editing, the film plays upon the conventions of the Gothic melodrama without ever losing its characters’ humanity.

The actor, writer, and producer talks about being blown away by Sandra Hüller’s performance in Anatomy of a Fall, shares her attraction to the romance in Love & Basketball, and praises Mississippi Masala as being ahead of its time.

The legendary actor and director stopped by for a brief visit to the Criterion Closet, where he shared some of his Italian-cinema favorites and talked about his experience working with Agnès Varda.

The writer and director talks about the innovative low-budget filmmaking of Detour, shares her love for The Battle of Algiers and its unrelenting “metronome of tension,” and praises Costa-Gavras as the inventor of the political thriller.

The singer-songwriter shares why Thelma & Louise was a North Star when writing her first album, praises the way Days of Heaven immerses viewers in its beauty, and talks about her deep affection for Grey Gardens.

The actor, screenwriter, and producer talks about the monochromatic world of The Spy Who Came in from the Cold, praises the way that the cinematography of Klute turns viewers into voyeurs, and shares why His Girl Friday represents Hollywood at...

The actor and star of Christophe Honoré’s Marcello Mio talks about the power of political films disguised as comedies, such as To Be or Not to Be and Divorce Italian Style; shares her love for Japanese horror cinema; and reminisces...

The legendary actor returns to Closet, where she shares her love for independent American gems such as Barbara Loden’s Wanda and Michael Roemer’s Nothing but a Man, talks about Roberto Rossellini’s work with Ingrid Bergman, and selects Italian cinema classics...

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