The Criterion Collection
Criterion Designs
Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...
The Daily
Jun 19, 2019 — To mark the anniversary, editors are highlighting some of her best work while critics and acolytes measure her impact.
Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...
On the Channel
Jun 6, 2019 — Deep Dives He is our treasured resident alien, visiting from a dimension where shadows are rooms and movies are bad dreams that change reality. That’s one kind of way to think about David Lynch, and there are thousands more. For...
The Daily
Jun 4, 2019 — Before The Dead Don’t Die opens in theaters, two series offer crash courses on a singular oeuvre.
Features
Jun 4, 2019 — The great Hollywood portrait photographs are like close-ups that never end. Cinema is an art of faces, and the chance to gaze at them, to get lost in them, may be the deepest thrill movies offer. In the darkness of...
Features
May 31, 2019 — Cannes 2019 Cannes has been top dog in the festival world as long as anyone can remember. It was originally set to launch in 1939 as a conscious political reply by liberal democracy to the success of Mussolini in establishing...
May 28, 2019 — Songbook Some songs are so beautiful that it takes six or seven or fifty listens before you really hear the words. High on the list of the greatest American songwriters, Jerome Kern crafted many such melodies: perfect enough to momentarily...
The Daily
May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.
The Daily
May 17, 2019 — Moving from the merely unsettling to the outright bloody, the Brazilian directors come down hard on their new government.