Tribute

Feb 3, 2009 — Luis Buñuel’s surrealist satire is the last film he made in Mexico, the last one in which he used Mexican actors, and most significantly the last one on which he worked with the great Mexican cinematographer Gabriel Figueroa.

Dec 18, 2008 — Check out Chris Ware’s lovely tribute to Yasujiro Ozu’s Tokyo Story on the cover of the November/December Cinefamily calendar. The Cinefamily shows its eclectic (“exceptional, distinctive, weird, and wonderful”) programs at Hollywood’s Silent Movie Theatre, whose co-owner, Sammy Harkham, is...

Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his char­acters in particular and for people in general.

Nov 11, 2008 — Groundbreaking modernist artist Paul Strand (1890–1976) might have been better known for his photography than his filmmaking, but the two films he directed are both extraordinary testaments to his brilliance. The first, his silent 1921 avant-garde masterpiece Manhatta, a luminous...

Nov 9, 2008 — “Though the Maysles are best known for their hippie-era music docs Monterey Pop and Gimme Shelter, as well as the opaque weirdness of Grey Gardens from 1975, Salesman stands as the movie where they really found their voice as leading...

Nov 2, 2008 — Geoffrey Macnab posts a touching personal tribute to British writer-producer-director Sidney Gilliat, “one of the unsung heroes of British cinema, an extraordinarily versatile figure who wrote and directed rip-roaring thrillers, satirical comedies, and home-front social dramas,” in the Guardian, marking...

Jul 16, 2008 — The locations for many of Ingmar Bergman’s most dramatically spare films have existed for so long in moviegoers’ minds as stark black-and-white dream states that to walk through them in living, vibrant color is truly transformative. Imagine the harsh, pebbled...

Jan 14, 2008 — As Japan was coming out of World War II, Akira Kurosawa was coming into his own as a filmmaker.

Nov 19, 2007 — In 2003, on the occasion of the Cinémathèque française’s complete retrospective of Ingmar Bergman’s work, ten filmmakers were invited to present one of his films that had a significant effect on them. Controversial French director Catherine Breillat (Fat Girl) selected...

Nov 12, 2007 — What is left of Berlin Alexanderplatz, this endless canon of the sublime and the trivial, is thus a perpetuum mobile of the human dance of love and death.