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The Street

Aug 2, 2010 — The great, beloved screenwriter Suso Cecchi D’Amico died this past weekend at the age of ninety-six. A longtime collaborator of Luchino Visconti’s (they’re pictured together above), including on the epic The Leopard (1963), Cecchi D’Amico worked with just about every...

Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Nov 2, 2021 — Wendell B. Harris Jr. is an American independent filmmaker trained in drama at Interlochen and Juilliard. His family founded Prismatic Images, a multi-award-winning film/video/audio production facility in Flint, Michigan, in 1979.Harris spent three years crisscrossing the United States in order...

The writer, director, actor, and cocreator of Hacks talks about how Being John Malkovich informed his sense of storytelling, praises Vanya on 42nd Street as one of the best productions of Anton Chekhov’s work, and admires Steven Soderbergh’s unique approach...

Mar 18, 2024 — Among this month’s highlights are a collection of noir classics from the genre’s peak year, a Jean Eustache retrospective, and our favorite movies that unfold within a tight timespan between dusk and dawn.

Jun 27, 2023 — With a divided self that reflected the fissures in his country in the wake of World War II, the most courageous and dangerous Italian artist of his generation transcended dogma and resisted affiliations.

Feb 24, 2022 — Next month on the Criterion Channel, we’re pushing the envelope with a series of the pre-Code films made by Paramount Pictures, a centenary tribute to Pier Paolo Pasolini, and a collection of groundbreaking concert documentaries.

Nov 19, 2019 — Contributors to RogerEbert.com and the A.V. Club as well as Time’s Stephanie Zacharek and more pick their favorite films of the decade.

Nov 5, 2019 — What began as an artificially stoked-up controversy has led to a vital statement on the present and future of cinema.

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