The Criterion Collection
The Daily
Mar 3, 2020 — Mohammad Rasoulof has won the Berlinale’s Golden Bear, and Eliza Hittman is taking home the grand jury prize.
The Daily
May 10, 2018 — The underground scene of Leningrad in the early 80s is the real star here.
Features
Feb 10, 2012 — The Chef whips up a sweet treat, using a recipe from a star of one of his favorite films in the collection, Wes Anderson’s candy-colored The Royal Tenenbaums.
Essays
Apr 29, 2025 — Drawing from a rich tradition of films that depict the lives of sex workers, Sean Baker’s Oscar-winning triumph takes a complex approach to exploring the fundamentally transactional nature of human relationships.
The Daily
Jan 9, 2018 — Guillermo del Toro’s The Shape of Water has scored twelve British Film Academy Awards (BAFTAs) nominations, followed by Martin McDonagh’s Three Billboards Outside Ebbing, Missouri and Joe Wright’s Darkest Hour with nine each, and Denis Villeneuve’s Blade Runner 2049 and...
The Daily
Sep 24, 2017 — For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film criticism, filmmaking, and exhibition throughout the 1960s and...
The Daily
Jul 27, 2017 — Venice International Film Festival director Alberto Barbara has presented the lineup for the seventy-fourth edition (August 30 through September 9) at a press conference in Rome. I’ve gathered notes and trailers.CompetitionAi Weiwei’s Human Flow. From the Hollywood Reporter’s Tatiana Siegel:...
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
In Theaters
May 17, 2012 — Repertory Picks It’s just a Wes kind of week. To coincide with next week’s U.S. opening of his Moonrise Kingdom, the Museum of the Moving Image in New York is launching a complete retrospective of Wes Anderson’s feature films, called...
Aug 17, 2010 — In his defiantly maverick directing career, which yielded only ten features in thirty-five years, Maurice Pialat (1925–2003) was a stimulant and irritant, agitating the cozy pool of French cinema. His first effort, the lyrically bitter short essay film L’amour existe...