The Criterion Collection
Essays
Jul 9, 2007 — Hiroshi Teshigahara’s first feature is the kind of uncanny, equivocally realist movie you might hope to duck into in a strange city, stumbling across it in a low-rent theater while escaping a bad date or a debt collector.
Short Takes
Oct 20, 2009 — It’s been only four years since the last film in his Death Trilogy, but Gus Van Sant is already journeying back to the land of the dead. Variety reports that the director will be teaming up with Bret Easton Ellis...
Essays
Jul 29, 2002 — Viewing Kon Ichikawa’s film of the 1964 Summer Games in Tokyo, it is apparent that even then his main idea (despite the more than 150 cameras available to him) was to present a fragmented picture of the Games, rather than...
The Daily
Mar 29, 2024 — Notes on the past and future work of Martin Scorsese, Alejo Moguillansky, Pedro Costa, and Alice Rohrwacher.
Sep 28, 2022 — A long-obscure landmark of the Iranian New Wave, Mohammad Reza Aslani’s daringly ambiguous portrait of feudalism’s demise mirrors the revolutionary times in which it was made.
The Daily
Jul 17, 2020 — Studio Ghibli for the kids, Bergman and Pasolini for the grownups, and more highlights from the week that was.
The Daily
May 15, 2020 — Directors, actors, and critics look back on their most memorable moments in movie theaters, and the BFI spotlights the best of Japanese cinema.
May 24, 2018 — Let the celebrations begin with a series in New York, a season in London, and a new restoration.
Mar 12, 2007 — Kon Ichikawa’s incendiary and extraordinarily brutal war film renders the emotional carnage that festers long after the battle’s end.
Essays
Apr 11, 1988 — Over the years countless films have been made about war, its horrors and its devastations—few, however, have been as moving and heartfelt as René Clément’s.