The Criterion Collection
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May 14, 2021 — Look who’s back: Alain Delon and Romy Schneider, Charlie Chaplin, Dee Rees, and . . . Cop Rock?
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May 14, 2021 — The ten-episode adaptation of Colson Whitehead’s novel is a conscious “act of seeing.”
May 11, 2021 — Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil.
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May 7, 2021 — This week we celebrate Elaine May, Ulrike Ottinger, Liza Minnelli, and Madonna while paging through the new Senses of Cinema.
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May 7, 2021 — Critics celebrate the new 4K restoration of The Story of a Three Day Pass (1968).
May 7, 2021 — The house on Walnut Road was and still is, among other things, a movie house. That becomes vividly clear in Michael Koresky’s searching and tender new memoir, Films of Endearment, in which he returns to this beloved childhood home several times over the...
May 5, 2021 — Deep Dives THE LIFE OF THE LANDIS PERPETUATEDIN RIGHTEOUSNESS one of the protest signs depicted (poetically, upside down) in The Sand Island Story Victoria Keith was a high school teacher, in 1976, when she heard about the pending eviction of two farming communities on Oahu’s East Shore....
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May 3, 2021 — A German mother travels to Hong Kong in search of her son—and herself—in one of the highlights of this year’s New Directors/New Films.
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Apr 30, 2021 — The British New Wave, Eric Rohmer, and the late Monte Hellman figure among this week’s highlights. Also, it turns out there’s still a lot to say about Nomadland.
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Apr 23, 2021 — This week we’re reading A. S. Hamrah on the contenders for this year’s Oscars and Ben Hecht on the state of Hollywood in 1938.