Feb 12, 2021 The virtual first half of this year’s festival will premiere new work from Céline Sciamma, Hong Sangsoo, Dominik Graf, and Ryusuke Hamaguchi.

Feb 9, 2021 What does parallax mean? It is a term that English speakers are perpetually learning and always forgetting. Leopold Bloom, in Ulysses: “Parallax. I never exactly understood . . . Par it’s Greek: parallel, parallax.” In the technical sense, the word...

Jan 29, 2021 Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

Jan 28, 2021 Deep Dives Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance...

Jan 26, 2021 I stumbled onto Will Niava’s debut short film, Zoo, via a still I saw online: a close-up of a young man’s face under blue neon, framed by cigarette smoke. Curious about this striking image, I tracked down the film and...

Jan 22, 2021 List-topping westerns, color-drenched musicals, and rule-breaking documentaries are in the news this week.

Jan 19, 2021 In the summer of 1976, my parents took me to see the tall ships in New York Harbor. I was ten, and I remember very little about it other than that I went and that the ships, tall, did not...

Jan 14, 2021 Herman Mankiewicz—a washed-up Hollywood screenwriter writing the first draft of Orson Welles’s 1941 biopic about William Randolph Hearst—may seem an unlikely hero for a 2020 biopic. He is rarely remembered today outside of cinephile circles, but in telling his story,...

Jan 13, 2021 About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem...

Jan 12, 2021 In the course of selling or promoting a film, a director will invariably be asked, “What’s this movie really about?” The desired answer is usually predetermined—marketers want a concise, two-sentence hook; reporters want a sound bite; critics want a thesis...

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