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Apr 13, 2012 Performances Fists in the Pocket, a gasp-inducing, mouth-frothing, black-comic attack on bourgeois values, is remembered first and foremost as a shocking debut from director Marco Bellocchio. But it gave its star, Lou Castel, a memorable entrance of his own: he...

Jun 23, 2003 Ermanno Olmi’s seldom-cited debut feature, the 1958 Time Stood Still, is a wonderful film, but it was the one-two punch of his second and third films that put him on the international movie scene map. Il Posto and I Fidanzati...

Jul 21, 2026 Harry Dean Stanton’s Jerry Schue doesn’t get on-screen until a full hour of Ulu Grosbard’s Straight Time (1978) has passed. Unlike Orson Welles as Harry Lime in The Third Man, Stanton’s character hasn’t been discussed, chewed over, anticipated, and foreshadowed for...

Jun 23, 2026 “Ozone Hole over Baltimore?” queries a panicky 1992 headline in the Baltimore Sun. Sure, as the article clarifies, the Maryland metropolis, eternal home base of trash icon John Waters, is no more vulnerable to ozone depletion than any other city...

Apr 20, 2026 For half a century, she was, as Emmanuel Macron put it, “a constant presence in French cinema.”

Mar 24, 2026 Martin Scorsese’s powerful drama, which recounts a series of killings that devastated the Osage Nation in 1920s Oklahoma, turns the historical epic into a Möbius strip that blurs audience, film, and director.

Mar 17, 2026 In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.

Seoul After Dark

The Daily

Feb 5, 2026 Bong Joon Ho, Park Chan-wook, and Hong Sangsoo select films to screen in a series celebrating the Korean Film Archive.

Dec 16, 2025 Paul Reubens’s iconic character comes to cinematic life in this collaboration with director Tim Burton, who creates an on-screen world that evokes the unbridled joy and overwhelming terror of childhood.

Dec 9, 2025 In her Cannes-award-winning narrative feature debut, Mira Nair sees the lives of Indian street children with an unconditionally generous gaze, taking in their world in all its contradictions and complexity.

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