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Out of My Mind

Oct 2, 2014 The following is a chapter on The Innocents from cinematographer Freddie Francis’s memoir, The Straight Story from “Moby Dick” to “Glory.” It is reproduced here courtesy of Scarecrow Press. The last picture I worked on as a cinematographer in my...

Jun 12, 2014 The filmmaker’s latest offering at the film festival reaffirms the author’s faith in him.

Jun 5, 2014 The following is excerpted from an interview with Red River editor Christian Nyby that critic Ric Gentry conducted in 1991.

May 14, 2014 The author recalls his meetings and correspondence with the uncompromisingly independent British director.

May 5, 2014 Billy Wilder’s Ace in the Hole almost requires an honorary expansion of the term film noir. There are no private eyes in seedy offices or femmes fatales lurking in the shadows of neon-lit doorways, no forces of evil arrayed against...

Apr 18, 2014 The following interview, conducted by Stig Björkman, originally appeared in Björkman’s 1999 book Trier on von Trier.

Feb 17, 2014 Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Jan 13, 2014 With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.

Nov 18, 2013 When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

Oct 23, 2013 If there’s one quality that separates John Cassavetes’s movies from almost everybody else’s, it’s the density of detail in the storytelling. His films need to be read closely, from beginning to end. There are no lulls with Cassavetes, no lapses...

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