New World

Nov 20, 2018 — A sampling of reviews of some of the most significant movies currently in theaters.

Sep 20, 2018 — One of the most respected film publications celebrates its anniversary with a forward-looking symposium.

Aug 8, 2018 — The concrete bunker looms up surreally from the rolling green countryside, a huge brutalist fortress sprouting from a hillside thick with wildflowers. This is the Library of Congress’s National Audio-Visual Conservation Center in Culpeper, Virginia, also known as the Packard...

Jan 19, 2018 — Before we turn to the features and series that haven’t been made yet, we’ve got two items worth making note of here. First, as Wellesnet editor Ray Kelly reports, “The Other Side of the Wind had its first screening on...

Dec 15, 2017 — First up, as Kristopher Tapley reports for Variety, the Academy of Motion Picture Arts and Sciences has narrowed the list of contenders for the best foreign language film Oscar to nine: A Fantastic Woman, directed by Sebastián Lelio, ChileIn the...

Oct 17, 2017 — Paul Thomas Anderson’s next film—and very likely Daniel Day-Lewis’s last—now has a release date, Christmas Day, and its own website. In Phantom Thread, Anderson “will once again explore a distinctive milieu of the 20th century. The new movie is a...

Sep 8, 2017 — “A complex and layered work, [Jonas Mekas’s] Lost Lost Lost [1976]—especially its first hour—is among cinema’s most poignant accounts of the immigrant experience,” writes Girish Shambu. “Historically, the best immigration cinema stages, in an astonishing multitude of ways, a divided...

Jul 9, 2017 — New York. “It’s Great to Be Alive may not be the nuttiest Hollywood musical of 1933—a year that brought the Marx Brothers’ Duck Soup—but it’s surely the only one to end with a production number in which the women of...

Feb 23, 2017 — An elder statesman of independent filmmaking, Samuel Fuller spun his newsroom and frontline experiences into his movies, developing a unique cinematic voice that was always raw and personal.

Jun 11, 2013 — Ingmar Bergman’s classic character study is a moving depiction of aging and regret but also joy and forgiveness.