The Criterion Collection
The Daily
Sep 26, 2024 — Steeped in Catholic guilt and erotic tension, Guiraudie’s eighth feature draws comparisons with Pasolini’s Teorema.
The Daily
Sep 25, 2024 — A dozen newly restored films from the 1970s, ’80s, and ’90s will screen in this year’s program.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
Essays
Sep 24, 2024 — A sceenwriter, novelist, and longtime friend of director Todd Solondz recalls the admiration he felt upon first seeing this audacious ensemble drama, which offers an unflinching, compassionate look at the pain and abjection of being human.
Features
Sep 20, 2024 — With their virtuosic celebrations of death, giallo films reflect the air of paranoia and fear that haunted Italian society in the 1960s and ’70s, a period when the country was undergoing dramatic, violent changes.
Sep 17, 2024 — A vision of late-1970s London that foreshadows the political volatility of the Margaret Thatcher era, this gangster saga stars an unforgettably tempestuous Bob Hoskins as a little Englander with big dreams.
The Daily
Sep 16, 2024 — Ready or not, the win for Mike Flanagan’s Stephen King adaptation kicks off this year’s awards season.
The Daily
Sep 13, 2024 — Will we ever see Ezra Edelman’s Prince documentary? Plus Chantal Akerman, Demi Moore, and the waning of “elevated horror.”
The Daily
Sep 12, 2024 — Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.
The Daily
Sep 11, 2024 — Marianne Jean-Baptiste plays a deeply frustrated woman in Leigh’s first film set in contemporary Britain since Another Year (2010).