Just Friends

Apr 16, 2018 — New York. The Tribeca Film Festival opens on Wednesday, and later in the week, we’ll be taking a look at two series opening on Friday, The Puppet Master: The Complete Jiri Trnka at the Film Society of Lincoln Center and...

Apr 13, 2018 — “Miloš Forman, the anti-authoritarian director who left his native Czechoslovakia for creative freedom in the U.S. and captured Oscars for the masterpieces One Flew Over the Cuckoo’s Nest and Amadeus, has died.” Duane Byrge for the Hollywood Reporter: “Forman first...

Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...

Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.

Apr 9, 2018 — The retrospective of work by Lucrecia Martel at the Film Society of Lincoln Center will be the first of many around the country and abroad in the coming weeks, so we’ll take a closer look in a separate entry on...

Apr 5, 2018 — “Just a few years in and DOC10 is already a must-hit stop on the festival circuit for the year’s best documentaries,” writes Lisa Trifone in the Third Coast Review. “The brainchild of Chicago Media Project and head programmer Anthony Kaufman,...

Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...

Apr 2, 2018 — Updates are still coming into the first entry on this year’s New Directors/New Films running at the Film Society of Lincoln Center and the Museum of Modern Art in New York. This entry will take us all the way through...

Apr 1, 2018 — Empire has been rolling out interviews from its “Spielberg Takeover” issue, the one with five different covers, including a podcast (102’01”) that’s naturally not part of the print version, in which contributors talk with Steven Spielberg himself and with Simon...

Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.