Decision

Oct 3, 2017 — In the print edition of the current issue of Film Comment, we find Luca Guadagnino saying that “the true generator of the movies I try to make is Jean Renoir, and A Day in the Country is really the alpha...

Jul 28, 2017 — A new 4K restoration of James Cameron’s Terminator 2: Judgment Day (1991), converted to 3D, is heading to theaters on August 25. Now James Wigney of the New Corp Australia Network reports that “Cameron says he is in negotiations to...

Jul 13, 2017 — The newly opened Austin Film Society Cinema presents screenings of the Cannes award–winning animated film Fantastic Planet, a hallucinatory visual marvel designed by French artist Roland Topor.

Jul 7, 2017 — “To celebrate the 50th anniversary of Mario Bava's horror classic Kill, Baby...Kill!,” begins Dustin Chang at ScreenAnarchy, “New York's newly renovated Quad Cinema has organized a near-complete retrospective of the highly influential Italian horror maestro's filmography. But the main draw...

May 30, 2017 — Lino Brocka brought an invigoratingly personal and socially conscious vision to Philippine cinema with this gritty portrait of Manila barrio life.

May 24, 2017 — “Sofia Coppola delivers a very enjoyable southern melodrama, the tale of a handsome, badly wounded Union soldier in enemy terrain during the American civil war who throws himself on the mercy of a ladies’ seminary—of all the outrageous things.” The...

May 21, 2017 — “Arguably, more question marks hung over the prospect of Redoubtable than over any other film in Cannes this year,” begins Jonathan Romney in Screen. “One reason was the idea of Michel Hazanavicius, director of the world-beating The Artist, seeming too...

May 20, 2017 — “The film industry is full of unassuming figures quietly holding everything together without ever demanding a share of the limelight,” begins Gwilym Mumford in the Guardian. Filmworker, a “tender documentary” premiering in the Cannes Classics program, “makes time to profile...

May 17, 2017 — “For its 70th anniversary,” begins Boyd van Hoeij in the Hollywood Reporter, “the Cannes Film Festival has, very appropriately, chosen to open with a film by French auteur Arnaud Desplechin, a Cannes discovery whose feature debut, The Sentinel, played in...

May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.