Black and White

Nov 10, 2016 — The Gene Siskel Film Center screens Carol Reed’s stark psychological thriller Odd Man Out, which stars James Mason as an ex-convict who plots a robbery to fund his rebel organization.

Oct 13, 2016 — From its diffusely structured narrative to its innovative cinematography, this radical western is a showcase for Robert Altman’s iconoclastic style.

Aug 4, 2016 — The Vancity Theatre is screening Rainer Werner Fassbinder’s penultimate feature, the second installment of his BRD trilogy, a series of films centered on women in postwar Germany.

Jun 1, 2016 — The Moviegoer, a biweekly online column published by the Library of America, has been a locus of terrific writing about classic literature-inspired films since it launched in February. Curated by film critic Michael Sragow, the column features a roster of...

Dec 10, 2015 — Repertory PicksOver the next two weeks, the Bryn Mawr Film Institute will present a series called Fatal Vision: The Cinema of Roman Polanski, Pt.1, highlighting Polanski’s early European art films and timed to complement a film studies course of the...

Oct 7, 2015 — It’s night in the desert. Mike (River Phoenix), a teenage hustler given to bouts of narcolepsy, and Scott (Keanu Reeves), a slumming preppy prince, are huddled over a campfire. “I just want to kiss you, man,” says Mike softly. The...

Jul 7, 2015 — Our recollections of Robert Siodmak’s 1946 movie The Killers are apt to center on three primary elements: Ernest Hemingway’s story, so literally brought to the screen in the film’s opening scenes; Ava Gardner, carrying the full weight of that late-forties...

Jun 25, 2015 — German director Bernhard Wicki proved his uncommon cinematic skill with his heartbreaking tale of teen soldiers sent off to die near the end of World War II.

May 29, 2015 — A shocking chapter of Soviet Czechoslovakian history is dramatized in Costa-Gavras’s controversial follow-up to Z.

Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...