The Criterion Collection
The actor selects an American indie classic by Greg Mottola, talks about rediscovering Videodrome on the Criterion Channel, and selects favorites like How to Get Ahead in Advertising, My Life as a Dog, and Tootsie.
The writer and director of Blue Heron shares how John Cassavetes inspired her own approach to independent filmmaking, praises The Watermelon Woman and Not a Pretty Picture as essential works of hybrid cinema, and talks about her personal connection to...
The longtime friends and collaborators praise The Bitter Tears of Petra von Kant and Klute as two of the most fashionable films of all time, share in their terror of Funny Games, and recommend favorites to each other like Flow...
The writer and director shares his love for Monterey Pop and the way it acts as a time capsule of its era, talks about how The Worst Person in the World redefined the romantic comedy, and praises Wes Anderson’s use...
The actor selects films that speak to the connection between society and the individual, focusing on works of resistance by such directors as Béla Tarr, Yasujiro Ozu, and Ingmar Bergman.
The actor fondly recalls working with David Lynch on Inland Empire, praises the comedic brilliance of Albert Brooks, and mentions Robert Altman and Spike Lee as directors whose films capture “the essence of culture, community, and truth.
The writer, director, and producer praises Black Orpheus and Killer of Sheep as his favorite works of Black cinema, talks about the influence of Risky Business on his film House Party, and admires the depth of Bruce Lee’s performance in...
The actor shares his love for Stranger Than Paradise and Dekalog, talks about being both freaked out and deeply moved by The Tin Drum, and praises Richard E. Grant’s performance in Withnail and I as one of the best of...
The singer-songwriter selects films that have had a deep influence on her music and visual style, shares how seeing Pina changed her as a performer, and talks about the portrayal of girlhood in Valerie and Her Week of Wonders.
The actor praises performances by Holly Hunter and Naomi Watts, reminisces about how Paris, Texas changed her understanding of cinema, and talks about Mike Leigh’s films as works of operatic tension.