Dec 11, 2014 Italian director Liliana Cavani’s The Night Porter, about the sadomasochistic bond reignited after World War II between a former Nazi commandant (Dirk Bogarde) and a concentration camp prisoner (Charlotte Rampling)—shocked audiences on its release in 1974 for its eroticism and...

Nov 19, 2014 While revisiting the films for their Criterion release, director Monte Hellman returned to shooting locations, many of which are now underwater; found and interviewed Calvin Johnson, the chief wrangler on both films; and discovered something new in a take of...

Oct 6, 2014

Sep 29, 2014 The great cinematographer Freddie Francis’s brilliant work on Jack Clayton’s chilling 1961 horror movie The Innocents is widely admired by movie lovers and professionals. For an appreciation of this film’s incredible visuals, we turned to cinematographer John Bailey (The Big...

May 20, 2014 In this new, online-exclusive video for Criterion, Wes Anderson, Jeff Goldblum, Bill Murray, and Willem Dafoe reminisce about the challenging conditions under which they made The Life Aquatic with Steve Zissou.

Dec 17, 2013 Prepare yourself for The Housemaid. Available in our new collector’s set Martin Scorsese’s World Cinema Project, Kim Ki-young’s twisted little tale, about a bourgeois family whose lives are thrown into dangerous disarray by the arrival of a live-in domestic, throws...

Aug 6, 2013 If you’ve seen Boogie Nights, There Will Be Blood, or virtually any other film directed by Paul Thomas Anderson, you know that he is enamored of ornate tracking shots. So it’s no surprise that he’s a fan of Max Ophuls,...

Feb 11, 2013 The movies of the Belgian filmmaking duo Jean-Pierre and Luc Dardenne are at once studies in propulsive forward motion and moral tales that plumb the depths of their troubled characters with jittery concern. In works like La promesse, Rosetta, and...

Jan 22, 2013

Jan 16, 2013 Restoration Spotlight Criterion’s new restoration of Alfred Hitchcock’s 1934 thriller The Man Who Knew Too Much was a project many years in the making. Since the original negative is missing, the first challenge was to find the best possible source...

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