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Deborah Young is a film critic and journalist living in Rome. She has written extensively about Italian cinema and is the international film editor of the Hollywood Reporter.

Andrew Moor is a reader in film history and theory at Manchester Metropolitan University. He is the author of Powell and Pressburger: A Cinema of Magic Spaces and coedited, with Ian Christie, The Cinema of Michael Powell: International Perspectives on...

Joan Mellen is the author of several books about Japanese cinema, including Voices from the Japanese Cinema and The Waves at Genji’s Door as well as monographs for the BFI on Seven Samurai and In the Realm of the Senses....

David Chute is a Los Angeles-based writer with a special interest in Asian popular culture.

Michael Raine teaches Japanese cinema and other courses in the Department of East Asian Languages and Civilizations and in the Program in Cinema and Media Studies at the University of Chicago. He has published on various aspects of Japanese cinema...

Geoffrey Macnab writes on film for the Independent, Sight & Sound, the Guardian, and Screen International. He is the author of The Making of “Taxi Driver,” Key Moments in Cinema, Searching for Stars: Stardom and Screen Acting in British Cinema,...

William Paul, a professor of film and media studies at Washington University in St. Louis, is the author of Ernst Lubitsch’s American Comedy; Laughing Screaming: Modern Hollywood Horror and Comedy; and When Movies Were Theater: Architecture, Exhibition, and the Evolution...

James Quandt is a frequent contributor to Artforum and has published several articles in the New York Review of Books and essays in various anthologies, including on Andrei Tarkovsky, Jean-Luc Godard, Jia Zhangke, Hou Hsiao-hsien, Nagisa Oshima, New French Extremity,...

Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...

John Simon has written for more than fifty years on theater, film, literature, music, and the fine arts for such publications as the Hudson Review, the New Leader, the New Criterion, the National Review, New York magazine, the New York...