Jan 28, 2014 Among the delights of Aki Kaurismäki’s La vie de bohème are the guest appearances by François Truffaut alter ego Jean-Pierre Léaud and the two-fisted American auteur Samuel Fuller. The former plays an eccentric collector who takes an interest in the...

Jan 28, 2014 Terence Davies beckons the viewer into a private world of moods and sensations with this exquisite childhood reverie.

Jan 27, 2014 The author’s encounters with the great Indian filmmaker.

Jan 24, 2014 Did You See This?• Weekend’s Andrew Haigh comes to HBO. • At the Oscars, more is less, says Mark Harris. • The Big Apple, Scorsese-style • Neil Bartlett on Derek Jarman • Richard Linklater’s most dazzling time experiment yet? •...

Jan 24, 2014 Here’s a treat for all you It’s a Mad, Mad, Mad, Mad World superfans. In this new video, photographed and edited by Mad World aficionados George Ann Muller and Paul Scrabo, you can see all the major California locations from...

Jan 24, 2014 Aki Kaurismäki first read Henri Murger’s Scènes de la vie de bohème in 1976. The highly influential 1851 book—an episodic novel about a group of starving artists that also inspired Puccini’s 1896 opera La bohème—captured the Finnish filmmaker’s imagination and,...

Jan 23, 2014 Stella Mozgawa is the drummer for the critically acclaimed Los Angeles band Warpaint, whose albums include 2010’s The Fool and 2014’s Warpaint. She says, “Here’s a list of the movies that have disassembled every notion I have of cinema.”Photo by...

Working with Jack Davis

Criterion Designs

Jan 22, 2014 When it came time to assemble the Criterion release of It’s a Mad, Mad, Mad, Mad World, using Jack’s classic art was a no-brainer, and we were thrilled to find the man himself willing to revisit the film and provide...

Jan 21, 2014 For his leading role in Michael Mann’s Thief, James Caan had a lot more to do than just embody perfect cool. His character, Frank, is an ex-con with a particular aptitude for breaking into hard-to-crack safes. Unbeknownst to the actor...

Jan 21, 2014 Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

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