The High Note

Jan 18, 2022 — MoMA’s festival of film preservation presents Beat poets, crown jewels, a lonely Hungarian, and a Senegalese bad boy.

Jan 13, 2022 — Yes, he opened doors, but he also brought a singular presence to American cinema.

Nov 16, 2021 — Tsui Hark’s epic martial-arts saga revolutionized Hong Kong cinema by presenting a complex portrait of modern Chinese history and setting a gold standard in action choreography.

May 27, 2021 — First Person I first watched Yi Yi on a busted cassette tape, in my small Texas town, rented from a Blockbuster behind a rice field and a pharmacy. If you were a high schooler growing up just outside of Houston...

May 11, 2021 — When Fast Times at Ridgemont High came out, in the summer of 1982, I was almost exactly the same age as Jennifer Jason Leigh’s Stacy Hamilton, getting ready to start my sophomore year in high school. Like Stacy’s world-weary older...

Nov 10, 2020 — Fernando Solanas On October 16, Fernando Solanas, best known for codirecting the landmark essay film The Hour of the Furnaces (1968) with Octavio Getino, announced on Twitter that he and his wife, Angela Correa, had both tested positive for COVID-19....

Aug 10, 2020 — A slyly feminist film by the only woman directing in the Hollywood studio system of her thirties-and-early-forties heyday, Dorothy Arzner’s Dance, Girl, Dance stands as one of the era’s most groundbreaking—and entertaining—backstage sagas. And as it turned out, a different...

Apr 22, 2020 — One of the true dark glories of the Czechoslovak New Wave, The Cremator (Spalovač mrtvol, 1969) is the most popular and indelible work by the underappreciated Juraj Herz and remained a firm favorite of the director’s among his many films....

Apr 18, 2019 — This year promises a healthy mix of renowned auteurs and younger talents—and there’s more to come.

Mar 8, 2019 — Claire Denis in Film Comment, an ongoing project at Directed by Women, and Glenda Jackson and Meryl Streep in conversation are among this week’s highlights.