The Day Will Come

Jun 8, 2022 — A major figure in contemporary Hindi literature pays tribute to Guru Dutt in this fantasia that reimagines the great filmmaker’s death.

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

May 16, 2022 — This month we’re reading about David Fincher, Sofia Coppola, Hong Sangsoo, and Werner Herzog.

Apr 27, 2022 — In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Apr 13, 2022 — Marguerite Duras and Jean-Luc Godard, Cahiers du cinéma’s radical years, and Todd Haynes are among this month’s highlights.

Apr 8, 2022 — This week we’re imagining possible futures with David Lynch, Apichatpong Weerasethakul, Pier Paolo Pasolini, and Gus Van Sant.

Mar 15, 2022 — The story of queerness in American cinema isn’t complete without the unusual case of These Three (1936) and The Children’s Hour (1961). Both films are based on Lillian Hellman’s 1934 play The Children’s Hour, inspired by an incident in which...

Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

Feb 18, 2022 — This week we’re celebrating pioneers of queer cinema and reading about Melville, Menelik Shabazz, Patrick Wang, and Francis Ford Coppola.