The Criterion Collection
Jun 20, 2013 — The prophetic voice of H. G. Wells resonates throughout this singularly ambitious, spectacularly designed vision.
Jan 21, 2008 — In September 1997, I saw Agnès Varda introduce a brand-new 35 mm print of her first feature film, La Pointe Courte (made in 1954), to an admiring audience at Yale University. More astonishing than the luminous black-and-white images was Varda’s...
Nov 19, 2001 — Luis Buñuel’s drama is a seductive work that exemplifies, even as it studies, the perversity of human desire.
Aug 28, 2024 — Albert Brooks and Debbie Reynolds are at their comedic best in this tale of parent-child bonding filled with Oedipal humor and emotional insight.
Mar 29, 2022 — About half an hour into love jones, Theodore Witcher’s romance from 1997 starring Larenz Tate and Nia Long, the two main characters amble along a Chicago block as raindrops fall, soft but insistent. The colors are warm, naturalistic—browns, mauves, and...
Interviews
Apr 2, 2019 — Mike Leigh’s endless fascination with human behavior is palpable in every one of the films he’s made over the course of his nearly fifty-year career. With an acute sensitivity to rhythm, character, and setting, he extracts extraordinary moments from the...
Jan 13, 2014 — With economy and panache, Michael Mann established his existential crime drama style with this breakthrough first feature.
Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...
Sep 22, 1997 — If one writes a great chapter in a novel, it will seldom be taken out of a book for reasons of time or rhythm. A novel allows you longer arms, a deeper breath. Anthony’s scenes of Kip in England, which...
The Daily
Jan 13, 2025 — Toronto’s retrospective showcases an oeuvre that ranges from Fists in the Pocket (1965) to Kidnapped (2023).