The Criterion Collection
Essays
Jan 23, 2017 — In his radical debut feature, Ousmane Sembène reveals the agony of the postcolonial experience through the story of a Senegalese migrant abused by her French employers.
In Theaters
Oct 13, 2016 — Jean Renoir’s captivating coming-of-age tale The River, playing at the San Francisco Museum of Modern Art, centers on the relationship between three teenage girls growing up in Bengal, India.
Jul 17, 2015 — As visually and sociopolitically expansive as it is intimate in its details of a boy’s coming of age, Jan Troell’s film is one of the great cinematic debuts.
Essays
Jul 21, 2014 — Anouk Aimée’s beguiling chanteuse, the title character of Jacques Demy’s romantic debut feature, is the figure from whom the director’s entire cinematic world springs.
Essays
May 13, 2013 — Delmer Daves’s visually majestic, emotionally charged western finds its drama in the decency of its characters.
In just a handful of films, one of cinema’s most richly creative artists opened a door to an unparalleled dream world.
Sep 28, 2010 — “The past, again and again.” —Major Jack Celliers, Merry Christmas Mr. Lawrence Nagisa Oshima’s filmmaking career began with the risen sun—or rather, with the promise of a sun soon to rise: Tomorrow’s Sun (1959), a dizzyingly designed faux “coming attraction”...
May 18, 2010 — Nicolas Roeg’s first solo outing as a director is an astonishing visual poem, by turns violent, innocent, and elegiac.
These two filmmakers forged an alliance that lasted from the late thirties to the early seventies, making their mark on the world of British cinema by always going against its realist strain.
Jun 19, 2006 — This essay originally appeared in the fanzine PHOTON (issue #22), in 1972. Stop-motion animation has been attracting a growing number of enthusiasts for about the last ten years, and though it seems the majority of these people must out of...