The Criterion Collection
Jul 16, 2013 — Theater legend Peter Brook’s approach to bringing the classic fable about human savagery to the screen was radical in its straightforwardness.
Essays
Jun 25, 2013 — How Claude Lanzmann made a thoughtful film about the unthinkable and unfilmable.
Apr 22, 2013 — A vivid portrait of a ruthless murderer, Laurence Olivier’s Technicolor Shakespeare adaptation is back in a killer restoration.
Mar 29, 2013 — When the world’s favorite comedian asked his audience to see him as a sociopathic serial killer, he was venturing where cinema had barely dared to tread.
Mar 26, 2013 — Charlie Chaplin manages to make a ruthless murderer likable in his brilliant satire of middle-class morality.
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Jan 15, 2013 — Despite the acclaim, Volker Schlöndorff always felt his adaptation of Günter Grass’s novel was incomplete. Thirty years later, he set to work on his director’s cut.
Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...
Dec 5, 2012 — In René Clément’s sparkling but menacing anti-noir, the Mediterranean setting is as seductive as Alain Delon’s baby blues.
Essays
Nov 6, 2012 — When Akira Kurosawa made Rashomon (1950), he was a forty-year-old director working near the beginning of a career that would last fifty years, produce some of the greatest films ever made, and exert a tremendous and lasting influence on filmmaking...